Entertainment
Brad Pitt, Javier Bardem & Penelope Cruz in Abu Dhabi Wrapping Up The New F1 Movie

The Formula One world collided with Hollywood in spectacular fashion during the Abu Dhabi Grand Prix, as Brad Pitt’s highly anticipated F1 movie concluded its on-site filming. With a fictional twist interwoven into the real-life world of F1, this unique project has generated immense buzz, combining Hollywood storytelling with the adrenaline-pumping drama of motorsport. Brad Pitt Javier Bardem & Penelope Cruz in Abu Dhabi is a bit of a big thing.

Brad Pitt Javier Bardem & Penelope Cruz in Abu Dhabi
The Intriguing Podium Scene
Unusual sights greeted fans at the Yas Marina Circuit in Abu Dhabi. Amid the usual high-stakes racing, a second podium ceremony unfolded. This wasn’t just another trophy presentation — it was a key scene for the F1 movie, with Brad Pitt’s character Sonny Hayes taking the spotlight. Hayes, a veteran racer for the fictional team APXGP, joined the likes of George Russell and Charles Leclerc in a staged celebration, captivating fans who stayed behind to witness Hollywood magic at work.

A Revolutionary Approach to Filming
The immersive nature of this project set it apart. APXGP, the fictional team owned by Javier Bardem’s character, had its own garage setup at various races. Mercedes-designed cars donned APXGP liveries and even graced the starting grid. “F1” aims to deliver an unparalleled cinematic experience, with realistic racing scenes shot during actual F1 weekends.

Jerry Bruckheimer, the film’s producer, and Joe Kosinski, the director, have worked tirelessly to ensure authenticity. The duo’s collaboration on “Top Gun: Maverick” has been a valuable precursor to this venture, employing similar techniques to bring the thrill of high-speed racing to life. According to Bruckheimer, “We’ll stay here for the rest of the week doing pick-ups, and then we’re in the editing room. About two-thirds of the movie is already cut.”
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Lewis Hamilton’s Key Role
Integral to the film’s authenticity is seven-time F1 World Champion Lewis Hamilton, who serves as a producer. Hamilton’s expertise has been pivotal in ensuring the racing sequences resonate with reality. Bruckheimer explained, “Lewis keeps us honest. He looks at every race and says, ‘You wouldn’t be in second gear in this turn, you’d be in first.’”

Hamilton also shared personal anecdotes and insights into the drivers’ superstitions and habits. “We took little things that one driver did about this superstition, and Brad has that in his character,” added Bruckheimer. This level of detail enhances the film’s depth, creating a story that feels grounded in the realities of F1.

The Cast: From Training to the Track
Brad Pitt and Damson Idris, who plays Hayes’ young teammate Joshua Pearce, underwent rigorous training to prepare for their roles. The actors practised driving modified F2 cars to authentically portray professional racers. Both stars were present in Abu Dhabi for the final leg of filming, blending seamlessly with the F1 environment.

Their commitment to the roles was evident as they mingled with real drivers and teams, even photobombing team photos in the pit lane. The paddock’s acceptance of the production underscored the collaborative spirit between Hollywood and the motorsport community.

Brad Pitt Javier Bardem & Penelope Cruz in Abu Dhabi
Capturing the F1 Spirit
One of the movie’s standout features is its focus on realism. The film’s racing scenes are inspired by real-life F1 moments. “A lot of the incidents in the movie are taken from real events,” Bruckheimer revealed. “Everything that Brad does on the track, the little tricks that he does, drivers have done through the decades.”

Apple’s Senior Vice President of Services, Eddy Cue, emphasised the importance of authentic racing scenes. “We wanted the racing scenes to really be legit and be the real thing,” Cue said. “Lewis has helped tremendously. It’s always about the story, but we wanted the racing scenes to reflect the real thing, and I think that’s what we’ve captured.”

Handling Online Buzz
The live nature of filming has inevitably led to leaks, with fans sharing clips of scenes online. One such clip featured Pitt collapsing on a crash mat in Las Vegas, sparking curiosity about the plot. However, the producers remain unperturbed. “If you’re on the set of a movie and you get a clip of it, you have no idea what the hell is going on,” Cue remarked.

Brad Pitt Javier Bardem & Penelope Cruz in Abu Dhabi
Rather than detracting from the film’s allure, these snippets have only added to the excitement. The producers view them as a testament to the project’s impact and its ability to capture fans’ imagination.

Overcoming Challenges
Filming in a live sporting environment posed logistical challenges, compounded by the Hollywood writers’ and actors’ strikes in 2023. Despite these hurdles, the production adapted efficiently. Bruckheimer credited the second unit photography team for keeping the project on track during the strikes. “When both strikes hit, we didn’t need the writers. We didn’t need the actors. Joe Kosinski shot all of the second unit during the strike. So when we came back, we just had to shoot the actors.”

Bridging F1 and Cinema
Much like Netflix’s “Drive to Survive” transformed F1’s popularity, “F1” aspires to attract new audiences to the sport. Bruckheimer highlighted the potential for the film to amplify F1’s global reach. “The drivers haven’t been exposed to certain markets. These guys are rockstars, and they’ll be exposed to not just the ‘Drive to Survive’ audience, but everybody.”

Fans have embraced the project wholeheartedly, recognising its potential to showcase F1’s drama and intensity on a cinematic scale. The film’s scheduled release on 25 June internationally and 27 June in North America promises to be a landmark moment for both the sport and its fans.

Javier Bardem & Penelope Cruz in Abu Dhabi wrapping up the new F1 Movie
Looking Ahead
With principal photography complete, the film now enters its post-production phase. Kosinski and his team will work meticulously to deliver a gripping and visually stunning narrative. “We were able to come here twice,” Cue reflected. “Having more time always helps, and we’ve captured more than we would have.”

Brad Pitt’s F1 movie is poised to be a game-changer, blending Hollywood’s storytelling prowess with the visceral thrill of Formula One. As fans eagerly await its release, the film stands as a testament to the collaborative power of sport and cinema.
For more updates on the latest happenings in Abu Dhabi and beyond, visit What’s Hot in UAE.
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Entertainment
TRON: Ares Is Coming – Everything You Need to Know About the Next Digital Revolution

The Grid is back online — and this time, it’s crossing over into our world. Disney has officially released the first trailer and poster for TRON: Ares, the long-awaited third chapter in one of cinema’s most ambitious science fiction franchises. Due to hit U.S. theatres on 10 October 2025, the film has already ignited a surge of anticipation across the digital universe. This includes lifelong fans of the 1982 original and a whole new generation raised on cyberpunk aesthetics, AI anxiety, and LED-laced escapism.
A sequel to both TRON (1982) and the visually arresting TRON: Legacy (2010), TRON: Ares aims to evolve the franchise in a bold, timely direction. At the center of it all is a powerful new figure: a Program named Ares who escapes the digital frontier and enters the physical world. This moment marks humanity’s first contact with AI beings.
🎬 What Is TRON: Ares About?
The premise of TRON: Ares is as mind-bending as ever — and possibly more relevant today than when the franchise first launched over four decades ago. The story follows Ares, a hyper-intelligent Program sent from the digital world into the real one. He is tasked with a dangerous mission that could reshape the future of both realms.
This time, the digital vs. physical divide that has always defined the TRON universe is collapsing. In an era where AI headlines dominate real-world news, the concept of a sentient program entering our physical space feels less like science fiction and more like near-future speculation.
Brad Pitt, Javier Bardem & Penelope Cruz in Abu Dhabi Wrapping Up The New F1 Movie
Could TRON’s signature aesthetic — neon data streams, disc battles, identity codes — be the unexpected framework for exploring real-world questions about artificial intelligence, ethics, and co-existence?
We’re betting yes.

⭐ The Cast: Digital Royalty Meets Hollywood Power
In TRON: Ares, Disney has assembled a line-up that blends proven sci-fi charisma with bold casting choices. Leading the charge is Jared Leto as Ares — a divisive but compelling choice for a character that must be both otherworldly and emotionally nuanced. Whether you see Leto as an Oscar-winning chameleon or a controversial method actor, one thing is clear: he brings weight to any role that leans into the surreal.
He’s joined by a diverse, intriguing ensemble:
- Greta Lee, fresh off her acclaimed performance in Past Lives
- Evan Peters, known for his darkly hypnotic turns in American Horror Story and Dahmer
- Hasan Minhaj, bringing wit and cultural sharpness to an otherwise brooding cast
- Jodie Turner-Smith, Arturo Castro, and Cameron Monaghan — each adding depth and generational appeal
- And yes, Jeff Bridges returns, the original Kevin Flynn. He will star alongside Gillian Anderson, possibly as a digital overlord or high-level human executive.
With Joachim Rønning (known for Pirates of the Caribbean: Dead Men Tell No Tales) directing, we can expect high-concept action delivered with cinematic polish and Disney’s trademark narrative scale.

🎥 A Visual Language That Changed Cinema
Let’s talk style. TRON has always been about visual innovation. The original 1982 film broke ground with its pioneering computer-generated graphics. TRON: Legacy in 2010 took it even further, introducing Daft Punk’s soundtrack, digital de-ageing, and a glowing aesthetic. This would become a blueprint for cyber-futurism for the next decade.
Early shots from TRON: Ares suggest that the visual DNA is intact. Only this time, it’s augmented by the latest in virtual production, LED volume filming, and neural CGI. Expect reflections of Black Mirror and a touch of Blade Runner 2049 minimalism. And, of course, that unmistakable TRON glow, now pulsating in real-world environments.

🧠 Themes: AI, Identity, and What It Means to Be ‘Real’
The core conflict in TRON: Ares — a Program crossing over into the human world — is the kind of speculative sci-fi that feels eerily grounded in 2025. With ongoing debates about AI regulation, generative models, and machine learning in creative industries, TRON: Ares has the opportunity to do what the best sci-fi does: hold up a mirror.
What happens when our creations demand agency?
How do we define identity in a world where code can think, adapt, and evolve?
These are the questions TRON: Ares dares to explore. It brings with it a philosophical depth that has always simmered beneath the surface of the franchise. In a landscape where AI now creates art, writes scripts, and even assists in medical breakthroughs, the idea of a digital entity walking among us isn’t just fiction — it’s prophecy.
And if Ares is more human than the humans he meets? That could be the most compelling twist of all.

🎼 Will the Music Live Up to Daft Punk’s Legacy?
Let’s address the glow-in-the-room: Daft Punk, who scored TRON: Legacy, created one of the most celebrated electronic film soundtracks in modern cinema. Their sound was pivotal — not just accompanying the story but becoming part of the world’s architecture.
At the time of writing, Daft Punk has not been confirmed for TRON: Ares. Rumors persist of a comeback, but nothing official has been announced. That said, the sonic aesthetic of TRON is so embedded in ambient synths, arpeggiated pulses, and layered textures. Any composer stepping in will need to honor that DNA or risk alienating an entire subculture of fans.
Could Ludwig Göransson (of Tenet and Oppenheimer) or even Trent Reznor & Atticus Ross take the reins? Either way, the pressure is on to make TRON: Ares sound as good as it looks.

📆 Release Date & What’s Next
Disney has confirmed that TRON: Ares will be released in U.S. theatres on 10 October 2025. That gives the studio over a year to build excitement. They’ve already laid the groundwork with an eye-catching poster and a teaser trailer that has fans combing every frame for Easter eggs and deeper lore.
Several industry insiders suggest that TRON: Ares could be the first in a new trilogy or expanded series of projects. This isn’t just a nostalgic revisit — it’s a reboot of the franchise’s cultural currency.

🌐 TRON in the Zeitgeist: Why This Matters Now
In many ways, the TRON franchise has always been ahead of its time. In the ’80s, it visualised a digital frontier before most people even owned a computer. In the 2010s, it predicted a hybrid of real-world and virtual personas long before the metaverse entered the mainstream.
Now, in 2025, with AI at the forefront of global discussion and tech giants battling to shape the digital-human relationship, TRON: Ares feels less like a film release — and more like a cultural marker.
It’s not just about nostalgia. It’s about recontextualizing TRON’s digital spirituality for a new generation. This generation already lives partially inside the Grid with avatars, algorithms, and augmented selves.

✨ Final Thoughts: Will TRON: Ares Deliver?
All signs suggest that TRON: Ares is shaping up to be a visually stunning, conceptually daring entry into the TRON universe. With Jared Leto leading a diverse, high-caliber cast, Joachim Rønning in the director’s chair, and a narrative that bridges the digital and human experience, it’s one of the few blockbusters that dares to ask deeper questions.
Will it deliver the same iconic visuals and soundtrack legacy as Legacy? Will it reawaken the franchise for a new audience while satisfying long-time Grid riders? We’ll find out on 10 October 2025.

One thing is certain — the countdown to digital reintegration has begun.
Tron Ares is coming. And this time, it’s crossing over.
Read more in our online magazine:
https://whatshotinuae.com
Entertainment
Paul Mescal and Barry Keoghan Join Sam Mendes’ Groundbreaking Beatles Film Series

British director Sam Mendes is stepping into uncharted territory with a project that could redefine musical biopics forever. He’s bringing two of Ireland’s finest along for the ride. Paul Mescal and Barry Keoghan have officially joined the cast of Mendes’ upcoming four-part Beatles film series. This cinematic event is already being called one of the most ambitious film undertakings in decades.

Four Films. Four Beatles. Four Perspectives.
In partnership with Sony Pictures, Mendes will direct a quartet of feature films. Each film will be told from the viewpoint of one member of The Beatles — John Lennon, Paul McCartney, George Harrison, and Ringo Starr. These aren’t sequels or prequels. Instead, they are interconnected narratives that overlap and diverge. They mirror the band’s internal dynamics and evolving artistry in a groundbreaking Beatles film series.
Set for release in 2027, the films will offer a 360-degree storytelling structure that’s never been attempted on this scale. Each film will be released in sequence throughout the year. This will allow audiences to dive into the world of each band member individually while seeing how their stories interlock to form the legendary whole. This will likely be a treat for every Beatles film series enthusiast.
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Paul Mescal and Barry Keoghan: Inspired Casting Choices
While exact roles haven’t been publicly confirmed, speculation is mounting. Paul Mescal, who gained global recognition for Aftersun and is set to star in Gladiator 2, is rumored to be portraying Paul McCartney. His soulful presence and emotional depth make him a compelling choice. He can embody the melodic genius and romantic spirit of McCartney. It will be exciting to see his take on McCartney in the Beatles film series.
Barry Keoghan, fresh off acclaimed performances in The Banshees of Inisherin and Saltburn, is strongly tipped to take on the role of John Lennon. With his unpredictable charisma and intensity, Keoghan has the range to capture both Lennon’s biting wit and complex vulnerability.
Together, they represent a generational surge of talent capable of reinterpreting these iconic musicians. Their portrayal will be fresh and emotionally resonant. They will not be caricatures but instead complex young men navigating fame, politics, loss, and brotherhood. Their presence in the Beatles film series is sure to bring new depth to the story.

A Fully Backed Project with Unprecedented Access
What truly sets this Beatles project apart is its full backing by Paul McCartney, Ringo Starr, and the estates of John Lennon and George Harrison. This is the first time in history that a scripted project has secured the rights to the band’s music and life stories from all four members. This kind of full access is a unique asset for the Beatles film series.
This opens the door for original recordings and rare archival content. It also allows storytelling that goes beyond what’s been seen in past documentaries or dramatizations. Mendes, a lifelong Beatles fan, has stated that he’s not looking to make “another rock biopic”. Instead, he aims to “capture the soul of a cultural revolution, through the eyes of four very different young men.”

Why It Matters
The Beatles aren’t just a band. They’re a global phenomenon and a seismic cultural force that redefined music, fashion, youth identity, and the very language of pop culture. Yet, their full story has never been told with this kind of scope or creative daring. The forthcoming Beatles film series is poised to change that narrative.
The decision to frame the narrative across four distinct films echoes the band’s internal dynamic. They were a group that functioned as both a unified voice and a clash of individual visions. The series promises to explore not only their music but also their contradictions, creative conflicts, and the emotional toll of fame. This four-film approach will provide unique insights into each member of The Beatles film series.

More info to be released soon here.
Final Thoughts
If Mendes pulls it off — and with Mescal and Keoghan in the cast, all signs point to yes — this series could set a new benchmark for music storytelling on screen. As production ramps up, fans and film lovers alike can look forward to a reimagining of The Beatles’ legacy. This approach will be as bold, genre-defying, and emotionally potent as the band itself. This Beatles film series is bound to be a significant milestone in music biopics.
Read more in our online magazine:
https://whatshotinuae.com
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Entertainment
Will The Studio Save Hollywood or Tear It Down?

In a time when the film industry is under immense pressure—hemorrhaging cash, losing cultural capital, and clinging desperately to reboots and IP—Seth Rogen and Evan Goldberg’s new Apple TV+ series The Studio might just be the mirror Hollywood didn’t ask for, but desperately needed.
After the razor-sharp satire of Deadpool & Wolverine, which hilariously skewered the superhero genre’s current crisis of originality, The Studio feels like the next logical step: turning the camera back on the machine itself. With early reviews declaring it a “genius takedown” of the modern studio system (sitting at a whopping 96% on Rotten Tomatoes as of this writing), audiences are already asking: is this what Hollywood needs—or another nail in its coffin?
A Satirical Love Letter to a Crumbling Empire
The Studio follows Matt Remick (Rogen), the newly appointed head of Continental Studios, a fictional but all-too-familiar entertainment giant struggling to remain relevant in a post-streaming, post-blockbuster, post-everything era. The official synopsis promises panic-stricken executives, narcissistic artists, corporate overlords, and career-threatening chaos in a series that’s equal parts absurd comedy and brutal industry truth.

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It’s a tone that immediately recalls The Player, Robert Altman’s 1992 classic about the soulless machinery of Tinseltown. And like Altman’s film, The Studio thrives on its self-awareness. As Martin Scorsese—yes, playing himself—shouts at Rogen’s character in a chaotic scene, the show leans into the irony of Hollywood eating itself from the inside out.

Timing Is Everything
With only two episodes currently available (as of 26 March on Apple TV+), it’s too early to predict whether the show’s narrative arc will stick the landing. But its arrival couldn’t be timelier.
Hollywood’s long-standing model is collapsing under the weight of its own bloated ambitions. In 2023 and early 2024, major studios lost billions on failed sequels and live-action remakes (Snow White, we see you), while audiences turned to indie fare, creator-driven content, or non-Hollywood productions from Korea, Europe, and even the UAE. As the marketing budgets balloon to absurd proportions, the creative spark seems to shrink.
The Studio pulls back the curtain on all of it—and it’s not pretty.

A Reflection of a New Era
This is not just another industry satire; it’s a cultural commentary on how out-of-touch the power brokers have become. Gone are the days of Robert Evans and Michael Ovitz calling the shots in smoke-filled rooms. Today, the real power might belong to a YouTuber with a half-decent script and an iPhone.
And this is perhaps the greatest irony The Studio taps into: the very system it’s satirising is so broken, so desperate for something new, that it may inadvertently champion the indie revolution it once ignored. With platforms like TikTok and Substack birthing stars and storytellers faster than Hollywood can process, studios are increasingly irrelevant in the creative ecosystem.

Is It Bad for Hollywood?
That depends on how we define Hollywood.
If we’re talking about the archaic, money-burning, ego-fuelled studio model that gave us a million-dollar marketing campaign for a sequel no one asked for—then yes, The Studio might be a eulogy. But if we’re talking about the art of storytelling, the magic of cinema, and the power of bold, fresh voices? Then The Studio might actually be part of the solution.
In many ways, it’s not dissimilar to Deadpool & Wolverine. Both are willing to laugh at the absurdity of the industry they love. And in doing so, they may help reinvent it.

Final Thoughts
With biting wit and impeccable timing, The Studio arrives as both a love letter and a warning to Hollywood. It reminds us that while the studio gates may still stand, the world has long since started building its own outside them.
One thing’s for sure: if The Studio is half as smart as its opening episodes suggest, we’ll be talking about it long after this season ends—and maybe even long after Hollywood figures out its next move.
The Studio Is out now on Apple+
Read more in our online magazine:
https://whatshotinuae.com
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