Daft Punk’s Thomas Bangalter just rewrote music history. His surprise DJ set at Paris’ Centre Pompidou on Saturday, 25 October 2025, marked his first public performance in 16 years, and his first without the helmet in 24 years. For fans and peers, it wasn’t just a comeback—it was a cultural reset.
The occasion was Because Beaubourg, a two-day celebration of Because Music’s 20th anniversary and the Pompidou’s final hurrah before its five-year renovation. Sharing the booth with Fred again.., Erol Alkan, and Busy P, Bangalter turned what could have been a nostalgic reunion into an electrifying masterclass in authenticity and musical lineage.
Paris Holds Its Breath
From the moment word spread through the queue outside, anticipation buzzed like static. Inside, the industrial shell of the Pompidou pulsed with restless energy. This was more than a gig—it was a ritual.
The Pompidou has long symbolised artistic rebellion, and hosting Bangalter’s return as its last event felt fated. As the lights dimmed, the crowd erupted into a deafening cheer. The man who had hidden behind a mask for decades stepped forward—barefaced, confident, and smiling.
The Mask Comes Off, the Music Speaks
When Daft Punk’s Thomas Bangalter walked to the decks, the energy in the room flipped from disbelief to elation. He didn’t wave or speak—he simply slipped on his headphones and mixed in his first track: Donna Summer and Giorgio Moroder’s “I Feel Love.”
It was poetic. The very DNA of electronic music pulsed through the speakers, connecting the pioneers of the 1970s to the architects of modern French touch. The beat was precise, the mix hypnotic, and for the first time in decades, the mystery gave way to humanity.
Seven Defining Moments
1. Paying Respect to the Roots
Opening with “I Feel Love” set the tone—Bangalter reminding everyone where it all began. The track’s shimmering arpeggios became a bridge between eras, the soul of disco reborn in Paris.
2. Busy P’s Genuine Surprise
When Pedro Winter (Busy P) spotted Bangalter beside him, the shock was visible. The Ed Banger founder laughed, clapped, and pulled him into a hug. Cameras captured the moment, pure and unscripted—a symbol of friendship and full-circle history.
3. From Protest to Pulse
Midway through the night, Gil Scott-Heron’s “The Revolution Will Not Be Televised” slammed into The Chemical Brothers’ “Galvanise.” The message was unmistakable—dance floors have always been places of protest, empowerment, and unity.
4. Vinyl Lives
To everyone’s surprise, Bangalter began scratching live. No digital cues, no automation—just muscle memory from his early days. Every cut and spin proved the human behind the robot still commanded the craft.
5. Flat Beat Frenzy
When the warped bassline of Mr Oizo’s “Flat Beat” hit, the Pompidou transformed into organised chaos. Fans jumped, shouted, and danced in collective madness. The French touch had never felt so alive.
6. A Tribute to DJ Mehdi
Bangalter dropped his personal edit of DJ Mehdi’s “Signatune.” The crowd instantly recognised the homage. It was heartfelt, glowing with nostalgia, bridging memory and motion in a single loop.
Visual suggestion: Collage-style image of Daft Punk, DJ Mehdi, and Ed Banger flyers layered like a vintage poster wall.
7. Tears to “Digital Love”
As the night closed, the unmistakable melody of Daft Punk’s “Digital Love” flooded the hall. Strangers embraced. Phones waved. Some cried. It was a collective catharsis—love, memory, and music colliding in one unforgettable moment.
Beyond the Setlist
Clips later confirmed appearances of “Rollin’ & Scratchin’,” “Contact,” and even a snippet of Jonny Greenwood’s “One Battle After Another.” Each transition told a story. It wasn’t a nostalgia trip—it was a history lesson set to a heartbeat.
Bangalter mixed eras and textures—disco’s shimmer, 2000s grit, and modern cinematic edges—creating a set that was as emotional as it was technical. The performance wasn’t about precision; it was about presence.
The Pompidou’s Farewell
The Centre Pompidou, closed to the public since late September, will undergo a €460 million modernisation through 2030, preserving its architectural legacy while updating its systems. Because Beaubourg was its final send-off, curated by Because Music founder Emmanuel de Buretel as a love letter to Parisian culture.
The Man Beyond the Machines
Since Daft Punk’s split in 2021, Bangalter has quietly redefined himself. His orchestral project “Mythologies” (2023) showcased his classical composition skills, while his contributions to film scores proved that innovation doesn’t need helmets.
This night at the Pompidou, however, wasn’t about reinvention—it was about reconnection. Fred again.. later revealed that Bangalter first discovered electronic music at the Pompidou back in 1992. To return there unmasked was to close the loop on his creative origin story.
What It Means for Dance Music
Bangalter’s return wasn’t a Daft Punk reunion—but it felt like one spiritually. It reminded a new generation of artists that dance music’s power comes from soul, not algorithms. The human behind the myth proved that vulnerability can move a crowd just as powerfully as mystery ever did.
In an age of AI-generated playlists and digital perfection, Daft Punk’s Thomas Bangalter stood as proof that imperfection still wins hearts. The crowd left whispering one question: If this was the end, why did it feel like the beginning?
On 25 October 2025, during Because Music’s 20th anniversary celebration at the Pompidou Centre.
It marked Bangalter’s first public DJ set in 16 years and his first without the Daft Punk helmet in 24 years.
The set included “I Feel Love,” “Flat Beat,” “Signatune,” and Daft Punk’s “Digital Love.”
While no Daft Punk reunion is confirmed, this performance reignited speculation and reminded the world of his lasting influence on modern dance music.
